AUTOBAHN (BE)
BARTLEBY & CO (BE)
BHV (FR)
BRUNO ROBBE EDITIONS (BE)
CLAUDE CLOSKY (FR)
CLEAN PRESS (BE)
DASEIN (FR)
DENICOLAI & PROVOOST (BE)
DIALOGIST-KANTOR (BE)
E IL TOPO (IT)
EGON VAN HERREWEGHE (BE)
ELODIE HUET (FR)
ENSEMBLE N°3 (FR)
ETS DECOUX (BE)
FLORENCE LOEWY (FR )
GERARD HERMAN (BE)
GOOD TIMES AND NOCTURNAL NEWS (SE)
IDOINE EDITION (FR)
INCERTAIN SENS (FR)
INDEKEUKEN (BE)
JAP (BE)
KEYMOUSE (BE)
KOMPLOT (BE)
LA HOULE (BE)
LA LETTRE VOLEE (BE)
LE NOUVEAU REMORQUEUR (BE)
LISE DUCLAUX (BE)
LORD NELSON (BE)
LUSTRE EDITIONS (BE)
NAZI KNIFE (FR)
POSTINDUSTRIAL ANIMISM (FR)
RISIKO PRESS (BE)
SOLDES FIN DE SERIES (FR/BE)
SPELL MY NAME (FR)
SUPER STRUCTURE (BE)
TABBERT (MULTI / ARBA-ES A) (BE)
THE BELLS ANGELS (FR)
ULTRA ECZEMA (BE)
YANN SERANDOUR (FR)
CURATED BY KOMPLOT & JAP


Komplot

Ludovic Beillard and Romain

Komplot

Blunt x Skensved looking at Good Times & Nocturnal News.

Thorsten Beansch at his table

Table of Publishing section of the Académie des Beaux-Arts de Bruxelles

Idoine and Spell My Name publishing houses

La lettre volée publishing house

Audrey Cottin showing her contribution in the book by Kasper Bossmans and Marte Ramm Fortun published by Komplot

Komplot

Denise Tyfuss and Vaast Colson

Komplot with Douglas Park

Juan d'Outromon at the table of Industrial Animism and Herg School

Ivo Provost and Simona Denicolai

Komplot with Douglas Park

Komplot table

JAP table with Thibaut Blondiau