Filip Gilissen

Projects :
, ANGER MANAGEMENT, Catherine Vertige Collection, Extend & Pretend, Filip Gilissen at Stedelijk Museum Amsterdam / YEAR 13, Komplot moves downtown, MARCEL, Open House, Studios 2013, Studios 2014, Studios and office, Studios and Offices 2012, Studios and Offices : Residency, YEAR 13, YEAR 2011

2015, Say No To Normal I & II, Filip Gilissen Digital print 15 * 15 cm, ( 5,9 * 5,9 inches), Carrara marble vinyl passe-partout, Brass polished & brushed frame 80 * 110 cm ( 31,4 * 43,3 inches )

The work of Gillissen stands in an under-researched tradition of art that sarcastically celebrates the uncelebratable: a tradition that may be said to have begun with the famous case of the in-house string quartet stoically, even cheerfully playing on while the Titanic was busy sinking to the bottom of the ocean;
a tradition that has thrived especially well in the ultra-cynical 'post-political' era of globalization."


Using the language of commerce, marketing and media representation, Gilissen gives a diabolic comment on the more cynical aspects of globalization and consumer driven politics. He explores through events, performances, and installations, the one-liners of the spectacle industry. As Frances Loeffler puts it in an earlier article about Gilissen's work, it is in his work 'The notion of being on the 'up' and pushing it far and hard enough until it starts to collapse and ring hollow'.


Gilissen’s work has been presented in venues such as MARTA Museum (2012); Liste 17 Perfromance Projeckt (2012); Witte De With (2011); Nuit Blanche, Paris (2011), M HKA, Antwerp (2011), Museum Boymans Van Beuningen (2011), Liverpool Biennial (2010 UK) and Museum of Fine Art, Boston (2007).